Rebecca Jane Arthur (1984, Edinburgh) is a visual artist working predominantly with the moving image and writing. Her works often transpire as experimental films, and her interest lies in how personal stories depict a socio-political context and history, giving particular attention to class politics, education and women’s experiences.

Icaro Lopez de Mesa Moyano, also known as, Nene del Solar is a Colombian sound-media artist, musician and educator interested in creating instruments based on digital-electronic infrastructures for performing arts.  In his artistic PhD Icaro researches the agency of gold used in electronic microchips and connectors, proposing music-sound instruments and performance as alternatives to reflect about environmental damage and ecosystem imbalance that gold mining and extraction has caused in territories around the global south. Thus, Icaro's interest in Elasticity arose from the research on the mining communities and bodies that stretch, resist and fight against gold and metal mining.

Åsa Båve (1988) is an artist and filmmaker based in Oslo and Gothenburg. She recently completed an MFA at the Oslo National Academy of the Arts and holds a BFA in Photography from HDK-Valand. She works with installation, sculpture, performance, and video. Her work revolves around vulnerability, interdependence, and care from a feminist perspective, often through the lens of maintenance work. In recent years, she has focused on soap as a material in flux, as a way to approach investigating how the material can embody leakage, fragility and change.

Malin Bülow works at the intersection of textile, sculpture, and choreography, creating monumental, site-specific performance installations where body, textile, and architecture form an interconnected spatial system. The elasticity and transparency of the textile membrane serve as both material foundation and conceptual force — a medium for exploring the relationship between strength and vulnerability, structure and dissolution.

Malin Bülow works at the intersection of textile, sculpture, and choreography, creating monumental, site-specific performance installations where body, textile, and architecture form an interconnected spatial system. The elasticity and transparency of the textile membrane serve as both material foundation and conceptual force — a medium for exploring the relationship between strength and vulnerability, structure and dissolution.

Mai Hofstad Gunnes is a visual artist living and working in Oslo.  Hofstad Gunnes works primarily with film and video installation. She often employs collective  workshops and staged performative situations to explore collective memory and processes of  knowledge production. Her film Spin, Measure, Cut (2023) connects the act of weaving with  genetics and reflect on recent discussions on biotechnology, bioethics and how emerging  technologies are reshaping our understanding of what it means to be human. 

Felicia Hedman is a Swedish dance and circus artist based in Helsinki. She has been educated in Italy, France, Portugal, and Sweden, developing a practice rooted in circus, contemporary dance, and acrobatics. Felicia’s work investigates the meeting point between these disciplines, exploring the comical, the unexpected, and the playful qualities of circus alongside the raw, instinctive expressivity of dance.