Goodiepal, Pruttipal or Gaeoudjiparl van den Dobbelsteen, whose real name is Parl Kristian Bjørn Vester, is a Danish/Faroese musician and composer.

Goodiepal will be lecturing on his wide-ranging practice, including music archaeology, modification of 20th century technology and his newly invented Eurobot – a signature Pruttipal invention whose algorithm is reportedly off the charts! The lecture is organised on the occasion of the residency Dataton Dialogues with Tris Vonna-Michell and Henrik Follesø Egeland at Pachinko.

Join us for an artist talk by performance artist Luanda Carneiro Jacoel. The event is part of the public programme for R24: Held ~ Experiments in Touch

Boi Huyen Ngo introduces research into the colonial legacies of the highly toxic herbicide, Agent Orange* - the continual contaminations of landscapes, communities and bodies, before inviting you to join collective embodied interventions for healing and haunting practices in the aftermaths of chemical contamination.

As the situation in Ukraine worsens, the catalog of crimes is growing. Ahmed’s lecture will explore one of its more insidious dimensions, the environmental harm of the Russian invasion in a warming world of widening inequalities.

Food allergy management offers an intriguing case study for understanding the agency of non-human things in our world. In this talk, we will examine the food allergy case and consider broader theoretical and methodological lessons for art and design research.

Artist Kajsa Dahlberg introduces her research into film as an apparatus intertwined with nonhuman modes of life - specifically looking at the role of macro-algae in the history of photography.

How does time affect exhibition making - for artists, curators and visitors? Kristine Siegel joins the Young Curators Residents to talk on temporalities in art spaces.

Daniel Mariblanca (ESP/NOR) presents work on bodily expression and dance from a transgender perspective.

Artist Jana Winderen uses sound recording to reveal the complexity and strangeness of the unseen world. This talk invites discussion around two field trips undertaken by Winderen and the key questions they raise.

Sound artist and researcher Budhaditya Chattopadhyay’s talk and listening session focuses on the decolonisation of sound objects and the sonic cultures of the Global South.

A listening session and talk with sound artists Leah Barclay and Annea Lockwood focusing on the rich, immersive soundscapes of rivers.

Sound artist, Mikel R. Nieto discusses his project Dark Sound, and value and cost, hierarchy and consent in relation to the oil industry.

PRAKSIS welcomes Research Professor Ingun Grimstad Klepp from Consumption Research Norway at Oslo Metropolitan University and Tone Skårdal Tobiasson, Editor of nicefashion.org, to talk about clothing and sustainability.

Dr. Dalida María Benfield, (CAD+SR Research and Programs Director) and Christopher A Bratton (CAD+SR Executive Director) consider how can learning be addressed in the context of resurgent nationalisms, forced migration, and ubiquitous but uneven digitalization?

For this talk Liisa-Rávná Finbog will start by exploring some of the ways in which such healing may be achieved, presenting the potential of learning duodji, customary Sámi handicraft, as a means to not only facilitate the return of traditional knowledge (árbediehtu) and epistemology, but also strenghtens connections to heritage, to ancestors, to kin (fuolkit), to community and to individual identities.

Curator Noor Bhangu considers baithak, traditional and contemporary South Asian ways of gathering, to formulate her own approach to relational and activist forms of curation.

Join Oslo-based artist Sayed Sattar Hasan in the informal social atmosphere of The Dubliner pub as he tells the story of ‘My Granddad’s Car’.

@criticaldías speak about the control of reproduction and discuss recent projects investigating crossovers between the regulation of technologies of assisted reproduction, and the ‘reproduction’ of dominant culture.

Artist Syowia Kyambi introduces her research into the legacies of Germany’s colonial presence in East Africa.

Abdullah Qureshi explores the significance of autobiography, sexuality and trauma in relation to his artistic practice and ongoing doctoral project.

Artist Robert Rauschenberg’s radical objective was to operate “in the gap between art and life”. His work crossed boundaries and recent major retrospectives in London, New York and San Francisco confirm that, 11 years after his death in 2008, this remorselessly innovative figure remains a strong creative influence, especially on young artists. But before his fame became global, one of Rauschenberg's first exhibitions took place in Florence in 1953—and it culminated in a gesture that has become an art legend. British writer and art historian Martin Holman tells the story.

German sculptor Gereon Krebber gives a special introduction to his work and calls into question conventional assumptions about public art and culture (for example that it should be permanent, ‘valuable’, or ‘compliant’ or “complementary’ to its location).

Benjamin Lignel discusses research into the relationship between adornment and gender politics.

Nina Möntmann offers her take on the curatorial as a transdisciplinary method to activate and intervene into real-life contexts. Conflict in various social and economic sectors will be discussed as potential sites for intersection and integration into processes of construction, leading to new methodologies to affect social change.

Llorens introduces recent research into Algerian National cinema and its representation of revolutionary violence, and a series of exhibitions of artwork that grapple with contemporary forms of social violence, in relation to overarching ethical questions such work raises for the curator.

Vika Adutova will introduce unofficial literature of Russia from the 1910s to 1930s; its people and practices, as well as the emergence of samizdat publishing as a method of establishing an independent culture in the context of political censorship.

Istanbul based artist, İz Öztat introduces work produced collectively with Fatma Belkis, BAÇOY KOOP (Printing, Duplication and Distribution Cooperative) and anonymous contributors using mimeograph—a predecessor of the modern photocopier. This contemporary use of mimeograph technology will be contextualised against the current political climate in Turkey and mimeographed printed matter produced by dissident political organizations in Turkey and the artistic underground internationally in 1960s and 1970s.

Get to know Famous New Media artist Jeremy Bailey inventive and endearingly self-deflating practice through this exciting performative talk!

Join us at Fotogalleriet for a performative talk by the artist Lindsay Seers in which the audience will have a chance to affect the direction of the talk as Seers elaborates on issues at the fore of her current investigations.