Matthew Musgrave

Matthew Musgrave (b. 1985 UK) lives and works in London, is interested in a kind of thinking through painting, how painting has a tendency to figure and to abstract, how it meanders and wanders, continually merges the past into the present on and on. Things often begin with something close to hand, a chair, limb, some grass or foliage, a tree, window, weather, something seen or remembered, moving paint around until something begins to make some sort of sense.

He studied painting at the Royal College of Art (2011) and Chelsea College of Art (2008). Exhibitions include: The Value of Liveliness, White Crypt, London (2018); Pink Density, Clovis XV, Brussels (2016), Only with a light touch will you write well, freely and fast, David Dale Gallery, Glasgow (2015) & Supplement, London (2016); All the best/yours sincerely, Galeria Alegria, Madrid (2016); To Paint a Line, Maki Fine Arts, Tokyo (2015); Around, Supplement, London, (2014); Head to Head, Standpoint, London (2014); Paintings, Supplement, London (2012); The Milkplus Bar, Josh Liley Gallery, London, (2010); The Library of Babel, Zabludowicz Collection, London, (2010); Jerwood Contemporary Painters, Jerwood Gallery, London (2009).

Image 1: 'Setting Out', 2016, Oil on linen, 40.5x35.5cm

Image 2: 'The Eyes Have It' installation shot, 2016, 53 Beck Road, London

Image 3: 'Of a Bush', 2012, Oil on linen, 25x20cm

Image 4: 'Around' installation shot, 2014, Supplement Gallery, London

Ebba Moi

Ebba Moi's artistic practice relates to the public domain with a community based, participatory approach. Her concerns include the use of democratic space and the management of people's rights and needs. Moi works with installation, sound, performance, curating and dialogue- based art projects, primarily targeting young people across cultures. Moi is currently co-running artist run space Tenthaus Oslo together with artists Helen Eriksen and Stefan Schröder.

hedbergmoi.net

Mia Melvær

Mia Melvær (b. 1988, NO) is a visual artist based between Belgium and Norway. She holds a BA in design from Design Academy Eindhoven (2012). Her work oscillates between sculpture and archival research, the personal and the collective.

Melvær has exhibited at Bozar, Brussel; Pianofabriek, Brussel; esc Medien Kunst Labor, Graz; Kunsthalle Bern, Bern; Hönnunarmiðstöð Íslands, Reykjavik, among others. She is a co-founder of the feminist collective Just for the Record, a permanent contributor to Mothers & Daughters – a lesbian and trans bar, and has written for a number of publications.

Patrick McElnea

Patrick McElnea (b. 1981) is based in Los Angeles, California. His work uses pigment, pixilation, and phrasing to visualize imaginations that underpin culture. Recent photographs forage through fantasies of selfhood, inheritance, and flesh. Pictures are made in pairs; the same scene fabricated in different materials, like short stories told in separate languages. McElnea’s video projects similarly explore how images are collaboratively made or misinterpreted under institutional care such as preventative medicine, primary education, and art therapy. He has had solo exhibitions at Ortega y Gasset Projects in New York, and Daniel Weinburg Gallery in Los Angeles. He earned his MFA in Painting and Printmaking from Yale University in 2008 and his BFA from The Cooper Union in 2004.

Image 1: Alone In the Vault, 13 x 22.5 inches, archival pigment print, 2019
Image 2: Older Brother, 19 x 26.5 inches, archival pigment print, 2018
Image 3: His Brother, 25 x 36 inches, archival pigment print, 2018

Image 4: Translantic, 63 x 95 inches, archival pigment print, 2018

Image 5: Jan's Shorts, 15 x 21.5 inches, archival pigment print, 2018

Anna Sofie Mathiasen

Anna Sofie Mathiasen (b. 1995, Copenhagen) lives and works in Oslo. She holds a BFA from the Academy of Fine Art, Oslo (2018), where she will complete her master studies in 2020. Working with mixed media installations, writing, analogue and digital, photography, film and animation, she investigates and mediates archives, which she collects and assembles from her surroundings and personal sphere.

By processing and presenting the material continuously using a variety of methods Mathiasenn produces images and narratives that explore different ideas and relations she has about, and with, the material. Mathiasen has exhibited at RAM Galleri, Akershus Kunstsenter, and Akademirommet.

Image 1, 2: Exhibition at RAM Galleri; Vi mødes i mørket og giver hånd, 2018.
Photos by Istvan Virag

Image 3, 4: Stills from film Excavation, 2018. Cinematographer Vegard Landsverk

Ragna Misvær Grønstad

Ragna Misvær Grønstad (originally from Bodø in North of Norway) studied printmaking and drawing and received her MFA degree in 2016, from Oslo National Academy of the Arts (KHiO) in Medium- and Material-Based Art, and her BA in Visual Art in 2013 (KHiO).

In the catalogue for Misvær Grønstad's MFA show, "The Silent After", Eva González-Sancho writes:

"Misvær Grønstad explores the ways in which we perceive reality through literary texts. Figures such as Simone de Beauvoir, Guy Debord and Hannah Arendt navigate her boundless aquatic world­—which she refers to as Saltvannsblomstene (salt water flowers)—as representatives of liberation, poetry and punk, the singularity of the individual and his/her emancipation."

Her work is marked by a social critique which is anchored in her belief in the positive potential of escapism, and in the force of the imaginary. In 2014 she was admitted to “The 68. North Norway Art Exhibition” with the print “The Great Escape”.

She graduated with “The Silent After” MFA Degree Show at KHiO, with her project “Conversations in Sáivu” (2016).

www.Ragna.no

Milenasong

As a former student of art & sound, it felt only natural for Milenasong to start painting with musical layering. Ten years ago she released her debut album, SEVEN SISTERS on Gudrun Gut's label Monika Enterprise in Germany.

Touring and meeting interesting artists from all corners greatly enriched her perspectives and process and in interviews she liked to say how much she wanted to break open rules in song-making. Motherhood and ill health temporarily rerouted her focus and her steps have been slower since. Since 2011 she has been working on her next album, started in London, with finishing touches added at Bauteil3 in Berlin, she is developing the end-mix herself in Oslo in 2017. It is a work on shadow-walk and transformation, the things that cannot be controlled, yet ultimately will find its resolution/dissolving in time.

Milenasong also works with illustration, currently fine lining for the newspaper Ny Tid and working on experimental audiobooks for Cappelen Damm/Storytel. Her current waves: Allowing things to be what they are, cooperating with given health, talents and the likeminded, for possibilities to take shape.

Nanna Melland

Nanna Melland (b. 1969) is a diploma and Meister student from the Academy of the Fine Arts in Munich. She received a Candidata Magister degree from the University of Oslo in Social Anthropology and History of Religion and is a journeyman in goldsmithing. In 2017 Melland was a guest professor at Burg Giebichenstein in Halle, Germany and is now based in Oslo, Norway. In 2008 Melland received the Norwegian Craft main prize. Melland works in different materials, and a wide variety of subjects. Intrauterine-Devices (IUDs); nails in gold; cast pigs’ hearts; orchids in lead; aluminum airplanes; miniature atomic bomb ring in tin; sculptures in beeswax and brooches from Polypore Fungus thus achieving – albeit paradoxically – a coherent whole.

Her work is represented in Nordenfjeldske Arts and Crafts Museum in Trondheim, Norway. Melland has taken part in many groups and solo exhibitions in museum and galleries around the world, like the Pinakothek der Moderne in Munich, The Schmuck Fair, the Museum of Modern Art in Arnhem, The Musée d’Art moderne de la Ville de Paris, the Jewellery Museum in Pforzheim, New York Museum of Arts and Design and The Dowse Art Museum in New Zealand.

Michael McLoughlin

Michael McLoughlin is an artist and researcher from Dublin who makes audiowork, drawings, sculptural objects, video and installations. His artistic approach endeavors to presents an outlet for dialogue/exchange and explores the physicality of places where, and the manner in which, people interact. 

Since the mid-1990s Michael McLoughlin has consistently developed and presented new ways of making contemporary artwork in social contexts. Within the last year he has made site specific audio work in Limerick (Cumann:An Audio Map of Limerick, Limerick City Gallery of Art), Drogheda (Cumann, Droichead Art Centre, & as part of Beyond the Pale, Highlanes) and in Dublin (Rest Here, UCD Sutherland School of Law & Ocean Wonder Resort Revelations, Portrane). His artists book of drawings, I am here because I know you will be too was published by Dublin City Council in 2014.

McLoughlin has been Artist in Residence in Draiocht Arts Centre, Blanchardstown (2017), and at UCD College of Social Science & Law in 2015, where he has since begun a critical social and institutional analysis of ethics, art-making and knowledge production in the contexts of social practice in the School of Sociology.

Evgeniya Martirosyan

Evgeniya Martirosyan is an artist based in Ireland with a background in philosophy and design. She graduated from the Crawford College of Art and Design in 2016, receiving a number of residencies and exhibition awards, including residencies at National Sculpture Factory and Sample Studios, Ireland and an exhibition award at Cork Film Centre. Her most recent work has been shown at 126 Gallery, Galway Arts Festival, Ireland; Leeds Digital Festival, UK ; and TACTIC Gallery, Ireland.

Working primarily in the mediums of sculpture and installation, Martirosyan is interested in exploring the concepts of time, matter, chaos and transformation. She builds complex dynamic structures and uses transient organic matter, reflecting on the poetic possibilities of the fluid and constantly shifting state of things.

Image 1: The Shape of Emptiness, 2017. Metal, air compressor, silicone tubing, water, washing up liquid, plastic, timer. Photo: Jed Niezgoda.

Image 2: Between Something and Nothing, 2017. Refrigeration system, acrylic, copper piping, metal tray, timer. Photo: Jed Niezgoda.

Image 3: Dream Machine, 2017. Metal, plastic, acrylic tubing, corn syrup, led light. Photo: Jed Niezgoda.

Image 4: Your Quantum Uncertainty, 2016. Metal, water, water pump, tubing, wood, live projection.

Martirosyan's participation in residency eleven, Monumental—Temporal has been made possible due to kind support from the Arts Council of Ireland Travel and Training Award.

Claudia Mann

Claudia Mann is a sculptor whose work is process oriented and conceptual. She also resorts to other media in her work, e.g. video, photography and language which serve as mirrors reflecting her sculptural works. 

"Outer space is just as relevant for me as the centre of the earth. We are space. In order to comprehend the dimensions of space right up to the centre of the earth one should be fully aware of the fact that the ground only seems to be an impenetrable surface. However, it consists of air as well as material. Ground is a very self-centred version of what in fact is only material. That is why it is a component of the definition of ‘horizon’. It stretches to the horizon. One’s location starting with the feet, eye level and then what one sees is all physically dependent on this. (…) 

The ground is the starting of sculpture and the sculpture itself. But the human entity is and remains the reference. In the past I used to move and work above this ‘surface’. By means of various processes the necessity arose to break through it and to perceive it. What exactly is the ground? Where does it begin and where does it end? To perceive something and then to clearly accept it for what it is a form of appropriation. Not merely the wish to hold onto a thought but to own its equivalent made of matter. Air is just as much matter, we are matter. Perception means using the senses. However most of the time we use our senses unconsciously. It is interesting to become aware of one’s own senses."

Image 1: Aero, 2016. Resin, metall, soil, sand 205 x 140 x 217 cm.
Photo: Ivo Faber, VG Bild-Kunst Bonn De Statua, KIT Düsseldorf.

Image 2: SOLID AERO, 2017. Inkjet print.
Photo: Claudia Mann, VG-Bild Kunst, Bonn.

Image 3: Cast, 2016. Resin, metal, 260 x 320 x 120 cm.
Photo: Dejan Saric, Kunstraum Düsseldorf Förderpreisträger 2016.

Image 4: Tombé.Tambour, 2016. Tarred board, resin, grass, wood, 205 x 621 x 621 cm. New Talents Biennale 2016, Poststrasse, Cologne

Shahrzad Malekian

Shahrzad Malekian (1983/ Iran) is an interdisciplinary artist working with video, performance and sculpture. Malekian’s works often address the human conditions she experiences around her. Her interests include power structures, presentations of gender, the complexity of interpersonal relationships, and shifts that occur in the transition between the private and public domains.

Her works have been shown internationally in group exhibitions in Brazil, USA, Germany, Sweden, Norway, Finland and London. Her video piece was selected for International Film Festival Rotterdam and Göteborg International Film Festival in Jan 2013. She was the finalist for MOP CAP 2015 prize.

Malekian holds a BFA in Sculpture from the Art University of Tehran and is a current MFA Art and Public Space candidate at Kunsthøgskolen I Oslo, Norway. She lives and works in Oslo and Tehran.

Image 1: WARDROBE MEMORIES, Performance, Sommerøya Festival, 2018
Image 2: WARDROBE MEMORIES, Performance, Sommerøya Festival, 2018
Image 3: URBAN EXPERIENCES, Public Intervention, 2015
Image 4: MAKEUP EXPERIMENTS: LIPSTICK, Video Performance, 2013

Sebastian Makonnen Kjølaas & Siri Hjorth

Siri Hjorth (1986)  and Sebastian Makonnen Kjølaas (1985) are two contemporary artists accomplishing high performance, premium, award-winning works that are safe, healthy, and certified sustainable.

When Kjølaas and Hjorth first got married in the Emanuel Vigeland Mausoleum in 2016 - they had already been working closely on a series of artistic projects since 2009. They now live and work in Oslo. Their artistic output include ceramics, textile, watercolours, latex and eggs.

Hjorth recently had her solo show “Looner Mooner" at Nebbelux in 2016, and participated in the production of “From Butter to Margarin” in 2017, directed by Pernille Lindstad and organised by “Munchmuseet on the Move” at Gallery 1857 in Oslo. She works with textile, costume and performance, and generates an unpredictable and sneaky world - disturbingly erotic. She opened the National Gallery's new Middle East Wing with a performativ staging of the painting “Marriage in Hardanger” by Tidemann and Gude. Hjorth has shown her work at the Black Box Theatre, Kunstnernes Hus, and Kunsthaus KULE in Berlin. Graduated with a Bachelor in Visual Arts from the Oslo National Academy of the Arts in 2014.

In 2015 Kjølaas won the Debutant Prize at the Autumn State Exhibition. He has toured the country since 2016 with his solo show “On dry things” showcased at different Art Societies around Norway, including Hammerfest, Eidsberg, Haugesund, Volda and Trondheim. He is the artist and author behind “The Institute of Art and Crime” (2014) published by Torpedo Press. Graduated in 2012 with a Master in Visual Arts from the Oslo National Academy of the Arts.

In addition to their praxis both Kjølaas and Hjorth hold positions at Prosjektskolen Art School, as Prorector and teacher. Together they have started the artist run spaces GAGO between 2009 - 2011, and SALT between 2011-2013. With Marianne Bredesen they have developed the project “Wittgenstein on Vacation” (2015 - 2019) supported by KORO, Art in Public Space Norway.

Nondumiso Lwazi Msimanga

Nondumiso Lwazi Msimanga is a performance artist and provocateur. Known for her public arts activism and provocative public speaking, she performs many different roles. Her performance work deals with umsebenzi of protest practices and asks questions about ritual and rape. Nondumiso is also an independent arts’ writer and academic.

Eli Maria Lundgaard

Eli Maria Lundgaard (b.1989 in Trondheim, Norway) finished a BFA at Bergen Academy of Art and Design in 2015. She will start on a MFA at Malmö Art Academy in 2016.

She works with video, drawing, collages and sculpture.

Her art is about comprehension. She explores different concepts of the psyche, for instance anxiety or hypochondria. She also questions the subject and its surroundings: how body and environment are shaped by influences, direct intervention, or evolution and natural changes.

The relationship between the natural and the artificial is interesting. Both science and art are curious and concerned the absence of information. We are looking for systems and definitions to put things in. Everything around us should be categorized and organized. These categories and systems come from what we are learned to look for. What cannot be described "physically", but only sensed, leads to speculation and fantasy. What do we do when explanations are missing?

What we cannot see or explain turn into myths, monsters and magic. Fiction and dreams blends with reality and makes a setting we can live within and think.

matt lambert

matt lambert's work pushes the preconceptions and possibilities of jewelry and adornment as traditionally understood. Adornment has the ability to blur the fields of design, craft, fashion, and art—and through inhabiting queer and/or liminal spaces adornment has great strength. lambert believes that this aspect has yet to be fully explored as a terroristic act towards Westernized institutions.

Based in Detroit, lambert holds an MFA in metalsmithing from Cranbrook Academy of Art with addition to specific university training in craft skills, such as metalsmithing, ceramic, and fiber. Through apprenticeships lambert has also studied semi-antique rug restoration and leather working. lambert holds academic training in art history, psychology/human sexuality, and cultural studies from Wayne State University in Detroit MI.

lambert's work has been collected internationally and shown at venues including: Swedish Center for Architecture and Design (Stockholm, Sweden); Kunstnerforbundet (Oslo, Norway); the Craft Council of British Columbia Gallery (Vancouver, Canada); Handwerkskammer für München und Oberbayern (Munich, Germany); the Walker Arts Center (Minneapolis, Minnesota) and the Queer Culture Center (San Francisco, California). In 2017-2018 lambert was the first international artist based in jewelry/metalsmithing to be invited as a resident at IASPIS the Swedish Arts Grants Committee’s programme for visual artists and designers in Stockholm, Sweden.

Auli Laitinen

Auli Laitinen is a jewellery artist based in Stockholm, Sweden. She is interested in contexts involving collaborative thinking and ideas including maker, wearer and viewer. Laitinen uses text, textile, and ready-mades to explore contemporary adornment. She sees jewellery as an active art form, whereby willing exhibitors carry signs of the makers ideas. Ideally, the wearer is engaged with the concept and aesthetics, and encourages conversation around what they wear.

Laitinen's work has been exhibited nationally and internationally since her graduation in 2000. She has received numerous grants and is represented at the National Museum in Stockholm and the Röhss Museum in Gothenburg, Sweden. She occasionally. teaches.

You wear, you watch the wearer, and you watch the wearer being watched.

- Auli Laitinen               

Mathew Lacosse

Mathew Lacosse (b. 1990, CA) is an artist and organiser whose work reevaluates and embellishes both architectural and natural space—its components, histories, and potentials. He holds a BFA (Hons) from the University of Manitoba (2018) and is currently living in Oslo.

Lacosse has exhibited at Gallery 623 (Solo, Winnipeg), Platform Centre for Photographic and Digital Arts (Winnipeg), and curated exhibitions at the Winnipeg Architecture Foundation, GoSA, Nuit Blanche Winnipeg, and others. His writing has appeared in SCAN Journal and rip/torn magazine.

Image 1: Between Two Bridges, Wild Grass, 2016

Image 2: Separation, Reclaimed Spruce and Fir, 2017

Image 3: SOFA Students Association, Spectator / Boundary Net, Exhibition for Nuit Blanche in Winnipeg, Canada. 2017

Gunnlaug Kuløy

Gunnlaug Bina Kuløy uses visual media, audio and sculptural installations to explore the intricate weave of circumstance, coincidence, emotion and decision that define a present situation or a state of mind. In turn this opens up a space to reflect upon interconnectedness in its many forms, and possible future trajectories. Her work evolves around themes as diverse as nostalgia and the immaterial connotations of objects, as well as biodiversity and the extinction of species. It often intersects with the realm of science; negotiating the ground between personal experience, observation and scientific research. Her intense focus on detail often results in the creation of spaces that demand full attentiveness in exchange for a sense of intimacy.

Gunnlaug holds a masters degree in Visual anthropology and has worked in various fields including cinematic production in Cuba, research on visual literacy in developing countries, media in exile and theatre production. The past few years she has divided her time between Oslo and Burma/Myanmar, working on projects related to wild endemic orchid conservation and mangrove forest restoration, resulting in the exhibitions Black Orchid Red Line, Goethe institute, Yangon (2016) and Macro Mangrove, Gallery 65 (2016). Her most recent exhibition Fate Undecided (2017) examined nostalgia in a socio-political context and was held at a site-specific location in Yangon.

Tina Kryhlmann

Tina Kryhlmann (b 1986, Oslo) completed her MFA in Fine Arts at Malmö Art Academy 2017. Working in an extended field of practises, varying from text, scuplture, installation, video and artist books, she uses painting as a pivot point and vantage point, to question the role of the self.