Alex Brown

Alex Brown (1986) is an artist and larp designer from England living in Oslo. He is interested in self-organised structures of co-design and collective action; using them to confront everyday realities in the attempt to collectively build new ones. His work often takes the form of movement-based and sensory non-verbal larps, as well as experiences which address the crises of our time, specifically climate breakdown and building new political and social structures from the embers of capitalism. His larps have been run at festivals in England, Denmark and Norway including at Blackbox CPH, Grenselandet, The Smoke, and Now Play This. He organises a free monthly larp event in Blackbox Deichman, Oslo.

Image 1: Transmigration of Souls, 2022. Photo by Jost L. Hansen, Blackbox CPH

Image 2: Transmigration of Souls, 2022. Photo by Jost L. Hansen, Blackbox CPH

Image 3: Spillover, 2023.

Image 4: Other Minds, 2023. Co-designed with Nina Runa Essendrop

Natalie Seifert Eliassen

Natalie Seifert Eliassen is a multidisciplinary artist from Norway, working with performance, video, sculpture, costume and installation. Through research and interviews her artistic practice addresses topics including sexuality, consent, nudity, intimacy, clitoris awareness and trans-inclusive feminism. With a professional background in dance and theater, Seifert’s immersive installations and sculptures are often re-applied as set-design or costumes for performances.

Seifert holds a BFA from Bergen Academy of Fine Art and an MFA from Helsinki Academy of Fine Arts, Time and Space department.

Click here to visit her website

Image 1: Natalie Seifert Eliassen performs the Clitoris Dance in the Clitoris Costume at Nyt Festivalen 2020. Photo: Marco Zimberlin

Image 2: Alginate body moulds from the performance Breastfall, 2022

Image 3: Breastfall, 2022

Image 4: Sexual Journey Interviews, video still, 2021

Nina Runa Essendrop

Nina Runa Essendrop is a Danish artist and larp designer with a masters degree in Theater, Dance and Performance Studies. Her work focuses on movement, sensory experiences and the meaning of physical action.

She is an active player in the Nordic Larp community. She has designed and produced blackbox larps, freeform games, large scale-larps, audience inclusive larps and larp festivals in collaboration with artists in both Europe and New York.

Essendrop has designed and run workshops, larps, performances and interactive theatre pieces at among others Transmediale 2016 (Berlin, Germany), Momentum: The 8th Nordic Biennial of Contemporary Art (Moss, Norway), Athens Biennale 2018 (Athens, Greece), The Flea Theatre (New York, US), Dome of Visions (Århus, Denmark) and Ormston House (Limmerick, Ireland)

Image 1: Human Experience. Photo: Simon James Pettit

Image 2: Strangers. Photo: Peter Munthe-Kaas

Image 3: The Other Life Project. Photo: Ronja Lofstad

Image 4: White death. Photo: Peter Munthe-Kaas

Mikhela Greiner

Mikhela Greiner, (She/Her) is a Norwegian-Canadian visual artist working primarily through photography. Her work explores ideas of identity and community, family, embodiment and the sensory experience of living and growing up in our bodies. She is interested in navigating her own mind and body through physical expression, exploring how the body communicates through language, touch, gesture and movement, how our histories are manifested physically, how the body remembers, and how our own bodies communicate to us.

Greiner holds a BFA with a major in Photography from Emily Carr University of Art + Design. The university is located on unceded Squamish, Musqueam and Tsleil-Waututh land, colonially known as Vancouver, Canada.

Image 1–2: Mikhela Greiner, hvor jeg har havn, 2020

Image 3: Mikhela Greiner, Self-portrait

Image 4: Mikhela Greiner, Untitled

Anna-Lise Marie Hearn

Anna-Lise Marie Hearn is a British-Norwegian dance artist and choreographer living in Oslo. Since graduating from London Studio Centre in in 2013, with a specialisation in contemporary dance, her work has spanned collaborative projects, commissioned work, commercial productions, and self-produced work within both live performance and film. Working with dance and movement, she creates experiences and spaces that allow for transformation, vulnerability, and connection.

Anna-Lise’s artistic practice explores the intertwining of physical and emotional expressions of being, seeing the body as a vessel for our lived experience. As a choreographer, she works with dance and movement to express felt sensations, landscapes, and connections that are personal, societal, or metaphorical. Movement improvisation is an important element within Anna-Lise’s creative process as it fosters an approach to creating work that promotes generosity, spontaneity and visceral, bodily reactions to the material she is working with.

www.anna-lisemarie.com

Image 1: LAND, a site-responsive performance project by Anna-Lise Marie Hearn, performed at Moster Amfi in Bømlo, Norway (2022), photographed by Eduardo Scaramuzza

Image 2: LAND, a site-responsive performance project by Anna-Lise Marie Hearn, in rehearsal at Moster Amfi in Bømlo, Norway (2022), photographed by Eduardo Scaramuzza

Image 3: Workshopping “TOOLBOX”; a resource for movement improvisation and composition, photographed by Zahra Banzi

Image 4: Hands for “fold & unfold”; a workshop in collaboration with Inês Neto dos Santos

Ollie Hermansson

Ollie Hermansson (they/them, b. 1991, DK) is a visual and performance artist. They hold an MFA from Oslo National Academy of the Arts, and have studied Performative Art at Academy of Fine Arts Vienna. Hermansson is currently living and working between Vienna and Oslo.

Their works are expressed with body, text, drawings, and tactile gestures. As a performer, Hermansson addresses the audience in a personal, intimate tone, aspiring to create a moment in which the audience is genuinely involved with the performance. Their works involve stories about gender-transitioning, love, and other queer experiences.

Their recent work has been shown at Kunstnernes Hus (NO), Raw Matters x Brunnenpassage (AT), exhibition space OTTE (DK) and SALT art and music / I AM UNDONE vol. 1 (NO).

Image 1: How to be a straight line (Stand-Up Edition), 2022, performance at Raw Matters x Brunnenpassage, Vienna. Photo: Esther Stern

Image 2: How to be a straight line (Stand-Up Edition), 2023, sketch

Image 3: How to be a straight line (Transition Edition, vol. 2), 2023, workshop at Slottsparken / Kunstnernes Hus, Oslo, photographed by Josh Lake

Image 4: How to be a straight line (Transition Edition), 2023, performance in Formsalen, Oslo National Academy of the Arts, Oslo. Photo: Isan Maher

Image 5: How to make a human roar, 2021, sketch for performance

Courtney Mackedanz

Courtney Mackedanz is a transdisciplinary artist living and working in Chicago. Her practice incorporates critical research, creative writing, collaborative dancemaking, and visual art experimentation to explore how expanded notions of the choreographic might structure, steer, catalyze, and constrain potentials in movement. Mackedanz's performances explore the themes of embodied resistance and care within the context of received and embedded choreographic conditions (such as algorithmic surveillance, or states of the nervous system).

Mackedanz earned her BFA in Performance and Visual Critical Studies from the School of the Art Institute of Chicago in 2013 and has since presented her work at The Arts Club of Chicago, Roman Susan Gallery, and ACRE Projects amongst others. Mackedanz has attended residencies including ImPact at Impulstanz, Landing 3.0 at the Gibney Dance Center, Nave Proyecto, and Lijiang Studio Residency among others and will be artist in residence with the Monira Foundation Chicago in 2024.

Image 1: Courtney Mackedanz. Photo credit: Elaine Suzanne Miller

Image 2-5: Metal, silicone and ice touch. Stills from studio research.

Siphiwe Mbonambi

Siphiwe Mbonambi is a Ga-Rankuwa, Pretoria-born performance artist and masseuse living and working in South Africa.

Beginning her career 20 years ago, Mbonambi began working in development theatre at the Sibikwa Youth Theatre Company. Here she discovered the power of theatre and community dialogue as a medium for positive change. She has since worked in Educational Theatre, Corporate Theatre, Film, and TV, and has remained committed to activating communities to encourage progress through constructive, critical conversation, and engagement with theatricality.

Presently, Mbonambi is completing a Masters in Applied Drama with the project Theatre of Touch. Using methodologies from Applied Theatre, this project integrates massage into theatre performance, using touch as a medium of connection. It aims to clear tensions from the body, particularly for Black womxn in South Africa. Her thesis is titled The Theatre of Touch; An Autoethnographic Exploration of Ritualised-safe-touch to Counter Dysfunction Caused by Distorted Cis-gender Identification in Black Womxn. It probes the power of drama/theatre/performance art as a tool for development and human growth.

Image 1-3: Siphiwe Mbonambi, Theatre of Touch

Nina Sarnelle

Nina Sarnelle (she/they) makes research projects, participatory performances, music composition, video and sculpture; her work interfaces with sites of neocolonialism(s), ecological destruction and labor exploitation in strange and intimate ways. They earned a BA from Oberlin College and an MFA from Carnegie Mellon University, and recently had a solo video exhibition at the New Museum in New York. Her work has also been shown at the Whitechapel Gallery, London, the Hammer Museum, Los Angeles, the Getty Center, Los Angeles, Ballroom Marfa, Texas, MoMA, New York, and internationally, including venues in Istanbul, Berlin, Lisbon, Buenos Aires, Sydney, Mumbai, Vienna, Genoa, and Beijing. Her work has been featured in Frieze, Art in America, Vogue Italy, Huffington Post, SFMoMA, Creators Project, FlashArt, and Hyperallergic.

www.ninasarnelle.com

Sophie Sengle

Sophie Sengle (she/her or none) is a freelance dance artist based in Hanover. Following the principle of “Rehearse the social world we want to be part of”, she uses dance and performance to collaborate with different communities and individuals. Her work deals with individual and collective body experiences, exploring the political dimension of micro movements. It draws on embodiment, body as archive, bodily memory, non-human co-existence, fantasy, voice, physical experience and touch.

Sophie holds a BA in Special Education and Art (Leibniz Universität Hannover) and a state-approved professional degree as a contemporary stage dancer (Sozo vim in Kassel). She has collaborated with Janina Rohlik, Ahlam Dirani, Franziska Ullrich, Taiat Dansa, Annamarie Keskinen and Regina van Berkel among others.
www.sophiesengle.com

Image 1: Niemals genug Hände, um uns zu entknoten, Franziska Ullrich and Sophie Sengle, 2022. Photo: Amar Sokhn, 2022

Image 2: Sophie Sengle

Image 3: Radical Softness, part of the workshop A Complex Body. Photo: Liliane Rahal

Image 4: Ida – a different type of caring, still image, 2023. Performance by Janina Rohlik and Sophie Sengle

Selwa Sweidan

Selwa Sweidan (she/her) is an artist, and researcher. She creates biodegradable objects, movement scores, open tools, speculative films, and physical computing artifacts. Selwa’s writing has been published in the Association for the Advancement of Artificial Intelligence Journal, the Design Research Society and the Internet Policy Review journal. has exhibited at Bevilacqua Gallery, Centre Pompidou, HomeLA, Spring/Break LA and UC Irvine's UAG Gallery. Selwa has co-curated exhibitions and symposia including Beyond Embodiment, Performative Computation, STACKED Expo, Super Radiance and Clustering. Selwa is currently a undertaking a Phd in the Interdisciplinary Media Arts and Practice program within the University of Southern California’s School of Cinematic Arts.
www.selwasweidan.com