The Sprawl and Flex

—Two works by Phoebe Davies

2018-20

Artist: Phoebe Davies
Mediums: Film and archival print



Phoebe Davies’ film The Sprawl and collectable limited edition print Flex both resulted from Davies’s interactions with young female wrestlers and staff at Oslo’s Kolboltn and Lambersæter wrestling clubs in Oslo. In these projects, Davies’s lens studies the club members’ physical enactment of relationships of acceptance, support, tenderness, joy, fear, aggression and transformation, within the environment of a club designed for physical training towards socially licensed combat. Female wrestling has an established history, but the sport is far from mainstream: in Davies’s work we hear one of the coaches explaining that when she first competed internationally, she and her peers wore men’s wrestling suits with t-shirts because female-specific suits didn’t exist. Davies’ moving presentation of a new generation of female wrestlers in training highlights their challenge to traditional gender norms, their parallel development of physical strength and mental resilience, and their growing confidence in their individual physical and psychological presence. Sports training emerges as an education in how to live a fuller life. 


 
 

Phoebe Davies, The Sprawl, 2020
(Please watch full screen)

 

Limited Edition Artist Print Now On Sale

Flex is created by artist Phoebe Davies from work she carried out with young athletes at Kolboltn and Lambertseter Wrestling Clubs in Oslo during the residency, Taking Hold - The Double Bridge. It is part of a body of work that spans video, sound and print to explore tactility, training, competition and solidarity as expressed in contact sport. This body of work went on to be shown at a major solo exhibition, Points of Rupture at Site Gallery, Sheffield, UK.

Flex
Giclée print on Hahnemühle Photo Rag Ultra Smooth 305gsm paper
30.48 x 45.72 cm
Signed edition of 25 + 3 APs
Unframed

850 NOK

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Phoebe Davies is a Welsh artist working across moving-image, performance, print and sound. Her work is often shaped by collaborative models of working from different social and cultural sectors, including methodologies from athleticism, activism, speculative fiction and organic farming. Phoebe’s practice is informed by long-term fieldwork, regularly working with and in response to individuals, communities and locations. Through collaborating with intergenerational groups of performers and non-performers alike she generates work through performance to camera, freewriting and field recording. Her work habitually uses the lens, body and voice to explore the subtleties and tension of visceral human experiences and personal politics.

Alongside her studio practice she has an ongoing collaboration with the performer and choreographer Nandi Bhebhe. As Bhebhe&Davies they direct performance work spanning stage and screen.

Recent projects have led her to work with sex educators, secondary school students, care homes, sports teams and DJs as well as art spaces and institutions, including Festival of Voice, Chapter Arts Centre (Cardiff), Tate Britain and Tate Modern (London), Whitechapel Gallery (London), Arnolfini (Bristol), the Wellcome Collection (London), Eastside Projects (Birmingham), Wysing Arts Centre (Cambridge), Steirischer Herbst (Graz, AUT), Praksis (Oslo, Norway), Portland Institute of Contemporary Art (Portland, USA). SA-UK SEASONS (Johannesburg, ZA). Davies was resident with PRAKSIS in 2018.

She is a g39 Fellowship Artist as part of the Freelands Artist programme and leads Fieldwork, a rural residency and artist development programme in South Wales. She is also a recipient of the British Council Social Practice Fellowship Award, Inaugural Jerwood New Work Fund, PICA’s Creative Exchange Lab Residency and was a member of Syllabus III, an alternative peer-led learning programme. www.phoebedavies.co.uk

 

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