https://zoom.us/j/98532366636?pwd=QTNlNDRGWkhuT0V6SW9IZlVWb3RvZz09
Meeting ID: 985 3236 6636
Passcode: 652239
Curatorial interference trigger warning 100%!
A few days ago, participants in the 'Young Curators Residency’ met artist Cassie Thornton who demonstrated her viral, peer-to-peer feminist health network ‘The Hologram’ (2017-). ‘The Hologram’ is open to being repurposed and the young curators have been invited to modify the project to their own purposes. This Sunday from 15.30 – 16.30 CEST you are invited to join the process as the group meet with Cassie once more to share their Hologram-hacking ideas.
About ‘The Hologram’
The Hologram’ is a social practice that everyone can do to take and give better care of themselves and others. The premise is simple: three people - a 'triangle' - meet on a regular basis, digitally or in person, to focus on the physical, mental, and social health of a fourth - the 'hologram'. The hologram, in turn, teaches their caregivers how to give and also receive care; each member of their triangle becomes a hologram for another, different triangle, and so the system expands.
About Cassie Thornton
Cassie Thornton is an artist and activist from the US, currently living in Canada. She is co-director of the ‘Re-Imagining Value Action Lab’ in Thunder Bay, an art and social centre at Lakehead University in Ontario, Canada. She works under the title of the ‘Feminist Economics Department and Strike Debt’. Thornton’s work visualises debt and health care by investigating and revealing the impact of governmental and economic systems which influence public affect and human behaviour.
About the Residency
'Young Curators Residency’ – is moderated by artist Stine Marie Jacobsen and conceptualised in collaboration with Nicholas John Jones (PRAKSIS) and Martina Petrelli (Nitja Centre for Contemporary Art). The residency will culminate with the participants' opportunity to curate an exhibition at Nitja in 2022. The young curators are: Haawa Abdirahman Abdille, Fatima Hadouchi, Vera Moi, Sara Mreihil, Henrik Stiansen, and Emanuel Waal.
