A tapeworm without a gut (sketches for disaster proto-fiction)

August 2017

Artist: Gary Zhexi Zhang


A tapeworm without a gut (sketches for disaster proto-fiction) features a series of research fragments and sketches for films. It explores Zhang’s interest in relations of parasitical exchange and the ideas of Michel Serres. Serres describes the parasite as the noise acting upon the signal - something that exists in apparent separation from an entity but nevertheless remodels its dynamic. In the ecological relationship, the parasite that appropriates the body of the host — the louse that replaces the tongue, the flatworm that imitates the gut — is also a principle of nurture and growth, and an augur of the possibility of new systems. Zhang’s current research explores the infiltration of this ecological imaginary into the sphere of technology: the agents which live intimately alongside and inside us, and the ways in which these systems infest, infect, interfere with and give birth to our own.

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Gary Zhexi Zhang participated in PRAKSIS’s Spring 2016 residency New Technology and the Post-Human. A tapeworm without a gut (sketches for disaster proto-fiction) was originally released by PRAKSIS as part of its platform for online art, Internet Projects.is an artist and writer.

Gary Zhexi Zhang is an artist and writer. He has exhibited and screened work at venues including Ming Contemporary Art Museum, Shanghai, the Venice Architecture Biennale, Glasgow International 2018, vdrome.org (online) and Wysing Arts Centre. He has been a resident at Delfina Foundation, London, Schloss Web (with Agnes Cameron), SPACE Art & Technology at the Baltic Centre for Contemporary Art, CCA Glasgow and PRAKSIS Oslo. He is a founding member of the collaborative research studio Foreign Objects, based at NEW INC. at the New Museum, NY (2019-20), and occasionally lectures at Parsons School of Design, NY.
 

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